红楼艳史

豆瓣

别名:和你一小时

连载:HD

导演:乔治·库克,恩斯特·刘别谦

都说勇者无惧。轻歌剧原是当年已然式微的物事,刘别谦逆流而上一再带到水银灯下,竟成为开创荷里活歌舞片的大功臣。第二部司花利亚与珍娜.麦当奴的钻石组合,重拍已成经典的《回转姻缘》。刘别谦原意只充当监制,导演筒假手佐治寇克。开拍不到一周,节奏乱套的毛片没法通过我们超高班监制的关口,一声令下剧本重写影片自己接手重拍,演员与编剧不但没怨言甚至还皆大欢喜。故事与原作大同小异,形式却南辕北辙,司花利亚的演绎更传神抵死,一曲<美芝>妙得神魂绝倒。大小配角心思中见丰富血肉,刘别谦与编剧拍档拉弗逊的化学作用开始显现。This oscar-nominated musical remake of The Marriage Circle was originally George Cukor's baby, but Lubitsch took over the helm, resulting in a famous lawsuit. However, Cukor later conceded: "I could never make a Lubitsch film." The scene is transposed from Vienna to Paris, and focus shifted from the unhappily married "philanderess"' schemes to steal her best friend's husband, to revel in the sheer verve and sexual desirability of Chevalier and MacDonald - both to others and to each other. Overlapping lines, recitative song interludes and Chevalier's direct address to the camera invite audience complicity in the characters' transgressions and set the film apart from "all-singing" Hollywood musicals.Source: 28th HKIFF
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红楼艳史高清完整版在线观看

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《红楼艳史》剧情介绍

影片名称:红楼艳史

影片别名:和你一小时

上映时间:1932

国家/地区:美国

豆瓣评分:7.0

影片类型:电影

影片主演:莫里斯·舍瓦利耶,珍妮特·麦克唐纳,丽丽·达米塔,金妮韦芙·托宾,皮埃尔·埃切帕尔

资源类别:红楼艳史高清完整版

资源更新:HD

总播放次数:0次

更新时间:1932-01-01

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剧情介绍:

电影《红楼艳史》免费版全集在线观看由麻瓜影院提供,本作品又名《红楼艳史电影》,剧中分别由莫里斯·舍瓦利耶,珍妮特·麦克唐纳,丽丽·达米塔,金妮韦芙·托宾,皮埃尔·埃切帕尔等主演,,是电影类中一部很不错的影片,值得各位沙雕网友娱乐观看,如果觉得不错还可以分享给你的朋友一起看哦...

都说勇者无惧。轻歌剧原是当年已然式微的物事,刘别谦逆流而上一再带到水银灯下,竟成为开创荷里活歌舞片的大功臣。第二部司花利亚与珍娜.麦当奴的钻石组合,重拍已成经典的《回转姻缘》。刘别谦原意只充当监制,导演筒假手佐治寇克。开拍不到一周,节奏乱套的毛片没法通过我们超高班监制的关口,一声令下剧本重写影片自己接手重拍,演员与编剧不但没怨言甚至还皆大欢喜。故事与原作大同小异,形式却南辕北辙,司花利亚的演绎更传神抵死,一曲<美芝>妙得神魂绝倒。大小配角心思中见丰富血肉,刘别谦与编剧拍档拉弗逊的化学作用开始显现。This oscar-nominated musical remake of The Marriage Circle was originally George Cukor's baby, but Lubitsch took over the helm, resulting in a famous lawsuit. However, Cukor later conceded: "I could never make a Lubitsch film." The scene is transposed from Vienna to Paris, and focus shifted from the unhappily married "philanderess"' schemes to steal her best friend's husband, to revel in the sheer verve and sexual desirability of Chevalier and MacDonald - both to others and to each other. Overlapping lines, recitative song interludes and Chevalier's direct address to the camera invite audience complicity in the characters' transgressions and set the film apart from "all-singing" Hollywood musicals.Source: 28th HKIFF

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